The American Bald Eagle was sculpted by Charles Oldham for Cybis Porcelains.
Two or more interlocking sections make up the plaster mold, which must be drawn off by gliding smoothly away without catching or resisting. When the plaster molds are drawn off, what remains are numerous hollow casts of “green ware” or unfired porcelain clay about 3/8 inch thick. These parts are delicate in the extreme and it’s been compared to handling egg shells. All the separate parts — and there can be hundreds in a complex design — are then painstakingly glued back together with liquid porcelain referred to as “slip.” After it dries, any seam lines are carved back and sculpted over to blend and hide any join lines. Then the entire piece must be strategically supported and fired in a large kiln to upwards of 2400 degrees fahrenheit. Many failures occur in this stage — warping, cracking — you name it, as the piece shrinks to about 16% of its original size during firing. When the kiln is shut off, there is often several days wait until the cooled piece can be removed.
In conclusion, a porcelain sculpture of this size and complexity, such as this example of the 24″ Bald Eagle with its heavy, extended wings, is an amazing achievement.
Photos courtesy of Ian Lawler, from How Original Store:
https://www.etsy.com/shop/HowOriginalStore
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